When Emperor of Japan regained ruling power in 1868, Japan was once again invaded by new and alien forms of culture. During the Prewar period, The introduction of Western cultural values led to a dichotomy in Japanese art, as well as in nearly every other aspect of culture, between traditional values and attempts to duplicate and assimilate a variety of clashing new ideas. This split remained evident in the late twentieth century, although much synthesis had by then already occurred, and created an international cultural atmosphere and stimulated contemporary Japanese arts toward ever more innovative forms.
By the early 20th century, European art forms were well introduced and their marriage produced notable buildings like the Tokyo Train Station and the National Diet Building that still exist today.
A lot of artistic new Japanese gardens were built with Jihe Ogawa.
Manga were first drawn in the Meiji period, influenced greatly by English and French political cartoons.
Architecture: Tokyo Station, a building of Giyōfū architecture, full of bricks and pseudo-European style. This style buildings were built in urban area.
Painting: The first response of the Japanese to Western art forms was open-hearted acceptance, and in 1876 the Technological Art School was opened, employing Italian instructors to teach Western methods. The second response was a pendulum swing in the opposite direction spearheaded by Okakura Kakuzo and the American Ernest Fenollosa, who encouraged Japanese artists to retain traditional themes and techniques while creating works more in keeping with contemporary taste. Out of these two poles of artistic theory developed Yōga (Western-style painting) and Nihonga (Japanese painting), categories that remain valid to the present day.